A Super Mario variety blog.
Screenshots, photos, sprites, gifs, scans and more from all around the world of Super Mario Bros.
- Links
In Paper Mario: The Thousand-Year Door, Doopliss is actually standing on his chair before his cutscene, and only sits down when he sees Mario enter the room.
This tattle by Goombario in Paper Mario is the main in-game source that suggests that Boos are indeed spirits of the departed, and not merely spectral entities.
During the intro to Paper Mario: The Thousand-Year Door, Mario is present in the black void far below the storybook, turned away from the camera.
In Super Paper Mario, if you stand in a precise location inside this doorway in the Flipside Outskirts and then flip back to 2D, Mario will partially merge with the wall.
In the intro of Super Paper Mario, framed pictures of Mario’s partners from Paper Mario and Paper Mario: The Thousand-Year Door can be seen in Mario and Luigi’s house. These are the textures used for the pictures.
Francis from Super Paper Mario seen from the front.
In Paper Mario: The Thousand-Year Door, whenever you go into the storage room of the shop in Twilight Town, you see a visual effect of the shop sliding away to the left. Clipping out of bounds to see the outside shows that the effect is not purely visual: the actual objects inside of the store slide out of the building to achieve the illusion.
In Paper Mario: The Thousand-Year Door, whenever you enter Rogueport Harbor, for the first few frames, every ship that can appear in that area is loaded at once, partially overlapping each other.
In Paper Mario: The Thousand-Year Door, there is a picture of Mario over the bed in the champion’s room in the Glitz Pit. In order for the picture to be recognizable at the angle it’s shown to the camera, the actual dimensions of the picture are heavily stretched.
In the hall of the Star Spirits in Paper Mario.
